I was into camo long before it became fashionable. I’ve been a collector of all sorts of camo from all sorts of countries. Understanding the principles of camouflage (counter shading, breaking up the outline and mimicking the background), learned in the Marines, has been of surprising utility in my mural career. Often I’m presented with a wall that is less than ideal for creating an illusion. The perfect wall for a muralist is utterly simple: flat, white, curved corners, no obstructions, no angles, no electrical features. Most zoo buildings are existing structures that must be retrofitted to create a believable natural environment. Consequently, the muralist winds up with unwanted architectural features such as soffits, columns, pipes, walk doors, jogs in the wall, windows and skylights. My job is to make them go away. Continue reading →